MONTRÉAL

CITY OF THE LAST DAYS

Warriors of the Last Days unfolds in a post-nuclear Canada, a fractured landscape where cities, highways, and forgotten infrastructure have been reshaped by a post-nuclear collapse. What remains of the country is scattered across isolated settlements, drifting communities, and territories claimed by the ruins themselves.

The series follows the slow rediscovery of this broken land, one city at a time.

Each volume explores a different corner of Canada: major urban centers, abandoned industrial zones, remote towns, and the strange new environments that emerged after the fall. Every place carries its own survivors, systems of control, and fragile attempts at rebuilding.

The journey begins in Montréal, a city transformed by water, ash, and the remnants of the old world’s machinery.

From there, the story expands outward across the country, revealing a Canada that is no longer a nation but a patchwork of territories struggling to survive the last days.

MONTRÉAL NOVELS

A person carrying a spear stands in a ruined, post-apocalyptic landscape before a large, vine-covered stadium.

THE EXODUS: A person with a backpack stands on a cliff edge overlooking a burning settlement in a deep canyon, representing the cover art for the novel The Exodus.

A person with a backpack walks down a cracked, desolate road toward a distant wind turbine under a hazy sky, as depicted on the cover of the novel The Drift.

Two people stand before a campfire in a dark, post-apocalyptic landscape with a glowing, damaged stadium in the background.

MONTRÉAL SHORT STORIES

A child sleeps peacefully while being comforted by an adult's hand in this book cover illustration for The Lullaby.

A man and a woman sit together by a river in a post-apocalyptic setting, with the book title Renee from the Sump displayed prominently.

A young person with a serious expression stands in a dusty, post-apocalyptic landscape at sunset, featured on the cover of the book Heading West.

Book cover for The Carver & The Stone, featuring a grim, post-apocalyptic marketplace scene with a skull and raw meat on a wooden table.

A group of pale, weathered penguins standing in a rocky, snow-covered landscape with the text Warriors of the Last Days and The Penguins by Stéphane C. Roy overlaid.

A weathered, scarred hand writes with a fountain pen leaking amber liquid onto a document stamped rejected.

Book cover art featuring a large iron cauldron filled with onions and herbs over a fire, set against a misty, rustic village background.

A weathered demolition notice posted on an old, ivy-covered iron gate, marked with mysterious amber-colored drips.

Close-up of a weathered military jacket featuring a Kentucky National Guard patch and an eagle insignia, with text reading Warriors of the Last Days and The Colonel.

A rustic wooden table covered with various fresh herbs, spices, and ingredients, including a bowl of ramps, a wooden scoop of red pieces, and labeled jars of paprika, salt, and ginger.

A weathered, abandoned playground slide sits in an overgrown, dark forest setting, featured on the cover of the book titled Berna.

A man in a leather jacket and sunglasses stands inside the operator cabin of a modern train moving through a ruined, post-apocalyptic city.

A man in a leather jacket and sunglasses sits in a vehicle, talking on a vintage radio handset while a fire burns in the background.

A woman with blonde hair and a rugged jacket stands at a wooden bar in a dimly lit, post-apocalyptic setting, with other people blurred in the background.

A man with graying hair and sunglasses sits in a dim warehouse, wearing a leather jacket and gloves while holding a small metallic object.

A CITY TRANSFORMED

Montréal is not a backdrop. It is the system’s proving ground.

In the post-collapse world of Warriors of the Last Days, the city has not disappeared, it has transformed. Flooded expressway trenches divide districts. Limestone quarries hum with buried magnetite veins. The Stadium rises as both sanctuary and instrument. Microclimates fracture neighborhoods into controlled zones. Waiting becomes architecture. Movement becomes policy.

This category gathers stories rooted in post-apocalyptic Montréal: from the underlayers of forgotten infrastructure to the engineered stability of the Uphills. Here, climate, governance, memory, and resistance intersect in a city that refuses to dissolve quietly.

The strength of the novels are in their world building: using real history, locations and folklore, these facts get merged into the more fantastical aspects of the story. In Warriors of the Last Days, Montréal endures.

But it no longer belongs entirely to its people.

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