A dystopian novel series set in post-nuclear Canada

BUILDING A LIVING WORLD:ONE STORY AT THE TIME

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WARRIORS OF THE LAST DAYS SHORT STORIES


A novel gives you a spine. A short story gives you breath.

Starting now, the Warriors of the Last Days universe expands with a new rhythm: one short story every month. Not side content. Not extras. These are pieces of the same world: fragments that deepen it, contradict it, and sometimes quietly reshape what you thought you understood.


Where It Begins

The first wave is already live for newsletter subscribers.

These stories take place in places that feel both real and slightly misaligned:

  • Flin Flon, Manitoba: a mining town named after a fictional character, already carrying the sense that reality there has always been unstable.
  • Pekwachnamaykoskwaskwaypinwanik Lake, Manitoba: one of the longest place names in the world, a location that resists memory even in its spelling.
  • Dawson City: Second largest city in Yukon. Forever linked to the Gold rush of the Klondike. Now, after the Collapse, it is home to some of the craziest adventures in the Warriors of the Last Days universe, including the memorable The Toe.

From Montreal, come the first released stories:

  • The Lullaby
  • Renée from the Sump
  • Heading West
  • The Carver and the Stone
A child sleeps peacefully while being comforted by an adult's hand in this book cover illustration for The Lullaby.
A man and a woman sit together by a river in a post-apocalyptic setting, with the book title Renee from the Sump displayed prominently.
A young person with a serious expression stands in a dusty, post-apocalyptic landscape at sunset, featured on the cover of the book Heading West.
Book cover for The Carver & The Stone, featuring a grim, post-apocalyptic marketplace scene with a skull and raw meat on a wooden table.
A group of pale, weathered penguins standing in a rocky, snow-covered landscape with the text Warriors of the Last Days and The Penguins by Stéphane C. Roy overlaid.
A weathered, scarred hand writes with a fountain pen leaking amber liquid onto a document stamped rejected.
Book cover art featuring a large iron cauldron filled with onions and herbs over a fire, set against a misty, rustic village background.
A weathered demolition notice posted on an old, ivy-covered iron gate, marked with mysterious amber-colored drips.
Close-up of a weathered military jacket featuring a Kentucky National Guard patch and an eagle insignia, with text reading Warriors of the Last Days and The Colonel.
A rustic wooden table covered with various fresh herbs, spices, and ingredients, including a bowl of ramps, a wooden scoop of red pieces, and labeled jars of paprika, salt, and ginger.
A weathered, abandoned playground slide sits in an overgrown, dark forest setting, featured on the cover of the book titled Berna.
A man in a leather jacket and sunglasses stands inside the operator cabin of a modern train moving through a ruined, post-apocalyptic city.
A man in a leather jacket and sunglasses sits in a vehicle, talking on a vintage radio handset while a fire burns in the background.
A woman with blonde hair and a rugged jacket stands at a wooden bar in a dimly lit, post-apocalyptic setting, with other people blurred in the background.
A man with graying hair and sunglasses sits in a dim warehouse, wearing a leather jacket and gloves while holding a small metallic object.

The other stories are in various stages of editing and they will be released as the series progresses.

Each one exists between the novels, specifically between The Refusal, The Exodus, The Drift, and The Spark. They are not recaps. They are not previews. They are connective tissue: moments, perspectives, and consequences that the main books cannot fully hold.


What This Structure Does

This approach changes how the universe grows.

Instead of moving only forward, the world expands sideways:

  • A secondary character becomes central, for a moment.
  • A location becomes a force, not just a setting.
  • An event hinted at in a novel is finally witnessed, but from the wrong angle.

The result is not a straight line. It is a mythology.


A Map That Doesn’t Behave

This is not a series confined to a few major cities.

The goal is deliberate:

  • At least one story per province and territory
  • A focus on unusual, overlooked, or unstable locations
  • Integration of local myths, histories, and narrative textures

Some places already planned:

  • Remote northern regions where geography erases certainty
  • Infrastructure zones where human intention failed
  • Communities shaped by isolation, extraction, or disappearance

And one location that breaks the expected boundary:

  • Saint-Pierre & Miquelon: geographically near Newfoundland, politically part of France, and narratively exactly where it needs to be

Why Monthly Matters

A monthly release does something a traditional schedule cannot:

  • It keeps the world active, not dormant between books
  • It allows experimentation in tone, structure, and voice
  • It creates accumulation: small pieces forming something larger over time

At 12 stories per year, the universe does not just grow. It layers.


What to Expect

  • Stories that stand alone but gain weight when read together
  • Recurring locations that change depending on who survives them
  • A gradual shift from narrative to myth, where truth becomes unstable

Some stories will feel grounded. Others will feel like rumors that refuse to disappear.

All of them are part of the same world.


Access

Every story is released directly to newsletter subscribers.

This is where the full structure lives first, before anything is collected, revised, or expanded.


The Direction

Warriors of the Last Days is not being built as a single sequence of books.

It is being built as a territory.

The novels are landmarks.

The short stories are what fill the space between them.

And every month, that space grows.


© Copyright 2026, WARRIORS OF THE LAST DAYS. All rights reserved. Privacy Policy. Accessibility Policy.

A new post-apocalyptic story from Canada. Every month.

The earlier you join, the larger your library becomes.

Join now. Start building your library before the next hundred.

 

By warrior
A dystopian novel series set in post-nuclear Canada

ABOUT THE AUTHOR

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

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