A dystopian novel series set in post-nuclear Canada
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PEELS

PEELS
PEELS

PEELS

by: STÉPHANE C. ROY

Decades after a nuclear catastrophe, the survivors of Orangeville, Ontario, have rebuilt their community around the institutions that survived the old world. At the centre of it all stands the Orange Lodge, where the Mayor governs with an increasingly unquestioned authority.

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  • ENGLISH
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  • CANADA
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Age Group:
16
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0-1 HOURS

Description:

Decades after a nuclear catastrophe, the survivors of Orangeville, Ontario, have rebuilt their community around the institutions that survived the old world. At the centre of it all stands the Orange Lodge, where the Mayor governs with an increasingly unquestioned authority.

Nathalie, the town’s secretary and keeper of its official records, has a front-row seat to the machinery of power. As political tensions grow and strange changes begin to affect the town, she documents the meetings, decisions, and carefully worded explanations through which a community learns to live with the increasingly inexplicable.

In Orangeville, the truth is not necessarily what happened. It is what makes it into the minutes.
 

 

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Reader's Review:

The Peels is a strong piece of post-apocalyptic political horror, with the potential to be one of the more memorable stories in a collection built around the persistence of human institutions after civilization's collapse. Its most unsettling insight is that the apocalypse has destroyed the old world without necessarily destroying its habits. The town has lost much of its material civilization, but it has preserved the procedures through which power legitimizes itself, protects its allies, and converts the unacceptable into the officially acceptable. The supernatural horror gives that insight a memorable physical form. The satire makes it recognizable. The ending makes it difficult to dismiss.

Author Details:

STÉPHANE C. ROY

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

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The book cover for Iridium: Warriors of the Last Days by Stéphane C. Roy, featuring a large, metallic, crystalline structure against a black background.

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Book cover for Warriors of the Last Days: Bismuth by Stéphane C. Roy, featuring a vibrant, iridescent geometric bismuth crystal against a black background.

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Book cover for Warriors of the Last Days: Gold by Stéphane C. Roy, featuring a collection of gold nuggets against a black background.

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The book cover for The Ark, featuring a weathered, green metal bunker door set into a grassy hillside under a dark, stormy sky.

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The book cover for Niton: Warriors of the Last Days by Stéphane C. Roy, featuring a glowing amber glass ampoule against a black background.

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Two women dressed in dark, rugged survivalist clothing stand in a dense, misty forest, featured on the cover of the book Sisters by Stéphane C. Roy.

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A dark, atmospheric book cover featuring a humanoid creature made of tangled roots and moss standing in a misty forest.

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Book cover for Unrequited, featuring a close-up of a steaming, textured organic mass against a warm, blurred background.

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Book cover for Cobalt by Stéphane C. Roy, featuring a cluster of dark, metallic crystals against a black background.

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A person in a long coat and fur hat walks through a snowy, desolate landscape toward a small stone cabin under a dark, cloudy sky.

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A glowing blue wolf stands on a snowy ridge at night under a full moon and aurora borealis, with the title Lupine and author Stéphane C. Roy visible.

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Three figures in hooded coats and backpacks walk down a desolate, foggy road toward large, dome-shaped structures in a post-apocalyptic landscape.

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A lone figure with a backpack stands before a vast, desolate landscape of sharp, thorn-like structures under a dark sky with a large radiation symbol and a setting sun.

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Book cover for Cursed by Stéphane C. Roy, featuring an aerial view of a desolate, industrial island site surrounded by water under a dark, cloudy sky.

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Book cover for Warriors of the Last Days: Pitchblende by Stéphane C. Roy, featuring a close-up of a vibrant, crystalline mineral specimen against a black background.

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A dark, gritty book cover illustration featuring a pale, gaunt, four-legged creature in a forest at night, with the title 'QUADRUPED' and author 'Stéphane C. Roy' displayed.

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Three people smiling and holding film equipment in a post-apocalyptic setting with a ruined building and forest in the background.

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A dark, creature-like figure with glowing red eyes and fur crouches in a brick sewer tunnel, holding a rat.

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The book cover for Molybdenum, part of the Warriors of the Last Days series by Stéphane C. Roy, featuring a large, metallic crystalline structure against a black background.

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A dark, atmospheric illustration of a sinister, elderly figure with long, claw-like fingers reaching forward, titled Warriors of the Last Days: The Old Hag.

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A woman with blonde hair and a rugged jacket stands at a wooden bar in a dimly lit, post-apocalyptic setting, with other people blurred in the background.

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A man and a woman in rugged, post-apocalyptic winter gear stand together in a rocky, dimly lit landscape, holding hands while carrying weapons.

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A man with a beard and intense expression runs toward the viewer on a metal walkway in an industrial setting, holding a long metal pipe.

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A man in a leather jacket and sunglasses stands inside the operator cabin of a modern train moving through a ruined, post-apocalyptic city.

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A man in a leather jacket and sunglasses sits in a vehicle, talking on a vintage radio handset while a fire burns in the background.

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A wooden sailing ship docked at a pier with crates marked Caution Toxic, under the title Warriors of the Last Days and The Heartbreak.

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A man with graying hair and sunglasses sits in a dim warehouse, wearing a leather jacket and gloves while holding a small metallic object.

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A white raven with red eyes stands on a rocky, desolate landscape, featured on the book cover for Warriors of the Last Days: White Raven by Stéphane C. Roy.

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A woman in rugged, post-apocalyptic attire stands in a dark, industrial setting holding a spear, with the title text Warriors of the Last Days: The Stone visible above her.

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A man in a brown coat kneels before a glowing blue energy sphere against a rocky, snow-covered cliffside.

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A woman in a dark, rugged environment reaches toward a glowing turquoise energy field above her, with the text Warriors of the Last Days, Sandrine, and Stéphane C. Roy visible.

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A man and a woman in winter gear stand before a massive, toothy, ice-covered creature in a snowy landscape, with the title Honeymoon: Until Death displayed prominently.

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A woman in a fur coat stands in a snowy landscape with the title The Mother and author name Stéphane C. Roy displayed on the cover.

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A dark, dramatic book cover featuring a large, menacing kraken with glowing yellow eyes emerging from deep, murky water.

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A group of people in tactical gear and life vests stand on a rusted industrial platform at sea, with a small boat visible in the distance.

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A makeshift raft constructed from wooden pallets and plastic bottles floats on the ocean under a cloudy sky, featuring the title The Anchor by Stéphane C. Roy.

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A man dressed in ornate robes covered in seashells and coral stands on a metal platform over the ocean, holding a staff topped with a large pearl.

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A woman with dark hair stands on a metal walkway in a post-apocalyptic setting, wearing tattered, scavenged clothing.

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A group of people in a post-apocalyptic setting, with women in white dresses standing behind a man and woman in rugged outdoor gear.

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A man in handcuffs and leg shackles is escorted by two uniformed officers in a prison corridor, with the title Cole's Time displayed prominently.

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A group of men in post-apocalyptic gear and chainmail hold wooden shields and weapons in a desolate, rocky landscape.

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Book cover for Warriors of the Last Days: Victoria Newfoundland by Stéphane C. Roy, featuring a post-apocalyptic coastal town with dilapidated houses and rusted boats.

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Book cover for Warriors of the Last Days: Victoria Island, showing a snowy, post-apocalyptic settlement under a dark sky with aurora borealis.

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A dystopian depiction of Victoria, British Columbia, featuring overgrown historic buildings and rusted ships in the harbor under a cloudy sky.

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Book cover art for Post Dated by Stéphane C. Roy, featuring a man and woman in rugged attire above a circle of hooded figures surrounding a glowing technological device.

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Book cover for The Dive by Stéphane C. Roy, featuring a submerged submarine suspended by chains in dark water.

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A weathered, olive-drab military supply crate labeled 'ROT ANTIBIOTIC' and 'PROPERTY OF THE COMMONWEALTH' sitting in a snowy, post-apocalyptic landscape.

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A dark, purple-toned book cover illustration showing several severed, textured toes standing upright on a wooden floor in front of a bed.

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A person with a backpack stands on a snowy ridge overlooking a fortified, walled city in a post-apocalyptic winter landscape.

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A person with a backpack walks away through a snow-covered forest path, as seen on the book cover for Warriors of the Last Days: The Trek.

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Book cover art for Discolouration by Stéphane C. Roy, featuring a yellow-tinted, hazy cityscape with a prominent church.

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OGOPOGO/N’HA-A-ITK
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MOKSGM’OL
A weathered wooden totem pole carved with traditional figures, illuminated by glowing blue light, with the text Warriors of the Last Days and Haida Gwaii overlaid.

HAIDA GWAII
Book cover for Sophism, featuring a person with a distressed expression reaching toward the viewer against a rocky, snow-dusted background.

SOPHISM
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RED
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Book cover for The Dam Builders featuring a beaver on a dam made of debris with a road sign pointing to Montreal in a post-apocalyptic landscape.

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A wooden sailing ship moored in a harbor at sunset, with a small lighthouse and colorful sheds visible on the shore.

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Book cover for The Famine, featuring a lone figure walking through a desolate, barren farm field toward a dilapidated house and barn under a stormy sky.

THE FAMINE
Book cover art for The Qalupalik, featuring a monstrous, scaled creature swimming beneath icy water.

THE QALUPALIK
A woman with dark hair and blue eyes wears an ornate, historical-style red and gold dress while holding a small dagger and a glass in a rustic room.

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Cover art for the short story Tired, featuring a desolate, icy road stretching toward a sunset in a post-nuclear landscape.

TIRED
A dystopian book cover featuring a bleak, concrete prison tower at Ste-Anne-des-Plaines under a dark, cloudy sky with abandoned cars in the foreground.

SAINTE-ANNE
Cover art for the short story Silence, featuring a damaged communication tower in a post-apocalyptic city under a dark, stormy sky.

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ULRIC THE GREAT
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THE SEWER
A rugged survivor in a weathered hockey jersey stands in a snowy, post-apocalyptic landscape holding a spiked mace.

THE CARRIONS
A woman in a green shirt pours a beer behind a rustic wooden bar in a scene titled Warriors of the Last Days: Bad Day.

BAD DAY
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A large, bearded man with a stern expression sits on a dark, mechanical throne in a post-apocalyptic setting.

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A young woman with intense green eyes wearing a heavy winter parka in a snowy, post-apocalyptic forest.

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A dystopian book cover titled Dead Water featuring a harbor scene with armed boats below a castle-like structure flying a skull-and-crossbones flag.

DEAD WATER
A decaying whale breaches the surface of a dark ocean, featured on a book cover titled The Whale by Stéphane C. Roy.

THE WHALE
A man wearing a long brown coat and a large cross necklace stands on a wooden dock in a post-apocalyptic harbor setting.

TUCKER
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SANDRINE’S CROSSING
A hand in a worn glove holds a vintage photograph of a tropical beach against a backdrop of a snowy, post-apocalyptic arctic settlement.

IJIRAIT: TOO FAR NORTH
A book cover featuring a person with reptilian scales on their face looking through a small, wire-reinforced window in a heavy, riveted metal door.

SUNLESS CITY
A dark, metallic door with intricate carvings and two circular portals stands in a cavernous setting, serving as the cover art for the novel The Expected by Stéphane C. Roy.

THE EXPECTED
A stylized, clay-like figure wearing a hat and red glasses stands against a smoky, post-apocalyptic background on the cover of the book Flin Flon's Hole by Stéphane C. Roy.

FLIN FLON’S HOLE
A dorsal fin breaks the surface of a calm lake at sunset, with the book title Towing The Line by Stéphane C. Roy displayed above and below.

TOWING THE LINE
Book cover for The Sahtugot by Stéphane C. Roy, featuring a teepee and a fish-drying rack under a green aurora borealis.

THE SAHTUGOT
A stone inukshuk stands on a desolate, rocky shore under a dark, cloudy sky, with the title ADLIVUN and author name Stéphane C. Roy visible.

ADLIVUN
A weathered, painted metal sign depicting a figure in a kilt holding a shield that reads Meat Cove, set against an autumn landscape.

MEAT COVE
Cover art for the short story Trioxide, featuring a cluster of metallic, crystalline mineral formations.

TRIOXIDE
A man with a goatee and tattoos wearing a leather vest with Hells Angels patches, featured on the book cover for Cobb by Stéphane C. Roy.

COBB
A woman with long dark hair stands in a post-apocalyptic industrial wasteland holding a firearm, featured on the cover of the book Nomi: Warriors of the Last Days by Stéphane C. Roy.

NOMI
A man sits on a cot in a dark prison cell, looking out a barred window at a distant nuclear explosion.

CLARENCE
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THE STILLNESS
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REGINA: QUEEN CITY
A close-up of a single ear of corn resting on cracked, dry earth in front of an industrial facility under a hazy, post-apocalyptic sky.

THE LEGACY
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SPECIAL DELIVERY
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RIBS
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THE HUNGER
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THE WOLF
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BERNA
A rustic wooden table covered with various fresh herbs, spices, and ingredients, including a bowl of ramps, a wooden scoop of red pieces, and labeled jars of paprika, salt, and ginger.

THE SECRET
Close-up of a weathered military jacket featuring a Kentucky National Guard patch and an eagle insignia, with text reading Warriors of the Last Days and The Colonel.

THE COLONEL
A weathered demolition notice posted on an old, ivy-covered iron gate, marked with mysterious amber-colored drips.

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THANKSGIVING APPERCEPTION
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THE PEN PUSHERS
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THE LULLABY
A dark, post-apocalyptic scene featuring a makeshift market stall with a sign reading CARVERS, a burning barrel, and a table displaying a skull and raw meat.

THE CARVER & THE STONE
A young person with a serious expression stands in a dusty, post-apocalyptic landscape at sunset, featured on the cover of the book Heading West.

HEADING WEST
A man and a woman sit together by a river in a post-apocalyptic setting, with the book title Renee from the Sump displayed prominently.

RENÉE FROM THE SUMP
A group of pale, weathered penguins standing in a rocky, snow-covered landscape with the text Warriors of the Last Days and The Penguins by Stéphane C. Roy overlaid.

THE PENGUINS
Book cover for The Sub, featuring a dark, moody illustration of a submarine surfacing in deep water with the title and author name displayed.

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Book cover for Warriors of the Last Days: Osmium by Stéphane C. Roy, featuring a large, crystalline, metallic structure against a dark background.

OSMIUM
A human toe submerged in a glass of amber liquid on a wooden surface, serving as cover art for the short story The Toe.

THE TOE
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GLOOSCAP: THE AWAKENING
A woman in rugged post-apocalyptic attire stands in a snowy landscape holding a large axe, with a gas mask hanging at her side.

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Book cover for Lights Out, part of the Warriors of the Last Days series, featuring a dark, post-apocalyptic cityscape.

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Book cover for Antitheses, featuring two people facing each other against a dark, post-apocalyptic background with a glowing orb in the sky.

ANTITHESES
Book cover for Eastern Light, featuring a glowing blue energy sphere above a desolate industrial quarry and a distant city skyline under a dark, stormy sky.

EASTERN LIGHT
A person with a backpack stands on a snowy cliff overlooking a large dam in a desolate, post-nuclear landscape.

THE DAM
A circular, fortified settlement built on water, featuring a central island with a small house, surrounded by a ring of makeshift structures and towers, with the title Waterland and author name visible.

WATERLAND
A man and a woman in worn, rugged clothing walk through a desolate, snow-covered street while a hand reaches out to offer them letters.

THE MAILMAN
A man in a long coat stands over a woman amidst post-apocalyptic ruins with a gothic cathedral in the background, holding a glass aloft.

COLE’S LAW
A man and a woman in heavy, snow-covered winter gear stand close together in a snowy landscape with an igloo in the background.

THE WEDDING
A courier in a post-apocalyptic setting stands before a giant, spiky wombat-like creature in a ruined community garden.

THE DELIVERY
Book cover for The Bunker by Stéphane C. Roy, featuring a dark, industrial tunnel leading to a closed door.

THE BUNKER
Book cover for The Shallow Grave showing hands exchanging Centrifuge Requisition Order documents over a forest floor with skeletal remains.

SHALLOW GRAVE
An older man in a worn apron sits at a desk with laboratory glassware in a makeshift, post-apocalyptic setting, with a box labeled SAMPLES and a biohazard symbol nearby.

THE CHEMIST
A man and a woman in tactical gear carry supplies through a post-apocalyptic landscape with a burning building in the background.

THE MISSION
A man and a woman in a forest setting confront a large, engorged tick with knives drawn.

ENGORGED
Book cover for Warriors of the Last Days: Fungi by Stéphane C. Roy, featuring a large shelf fungus growing on a charred tree trunk in a post-apocalyptic landscape.

FUNGI
A person in a small motorboat navigates through debris-filled waters toward a fleet of ships at sunset, as depicted on a dystopian novel cover.

OF MARSH AND MEN: CHIGNECTO SEA
A worn canvas backpack with a Canadian flag patch sits at the base of a tree in a forest, featuring the title Warriors of the Last Days A Mari Usque Ad Mare Cycle IV Compilation.

A MARI USQUE AD MARE COMPILATION IV
A man and a woman in rugged winter gear stand in a snowy landscape with a dog sled team, featured on the book cover for The Long Light by Stéphane C. Roy.

THE LONG LIGHT
A man in a dirty red jumpsuit leans against a large truck on a desolate, snowy road under a vibrant aurora borealis.

THE TRAIL
Four survivors stand before a rugged, Canadian-marked all-terrain vehicle in a desolate post-nuclear landscape.

COLE’S WAR
A backpack with a Canadian flag patch sits in a desert landscape near a large termite mound with giant ants, under the title text Warriors of the Last Days.

DOMINION OF DAMNATION
A technical blueprint for Project Babylon labeled with Potato Wars, featuring a diagram of a long-barreled cannon and a single potato resting on the desk.

POTATO WARS
A group of people in rugged, hooded cloaks walk away from the viewer down a cracked, snow-covered highway toward a distant horizon, passing a road sign pointing toward Toronto.

THE LONG WALK: STEEL MIGRATION
Book cover for Ice Gritters featuring a person in a hood covered in ice against a dark red background.

ICE-GRITTERS
A person is partially submerged in a thick, bubbling pink substance in front of a clock tower and a coastal city landscape.

SLIMED
A giant ear of corn looms over a desolate, post-apocalyptic cityscape with smoke rising from ruins under a dark, cloudy sky.

CORNERED
A dystopian book cover titled The Mall featuring a damaged, snow-covered building with a large W logo and dark, stormy skies.

THE MALL
A dark, gritty book cover featuring a person in a beanie and jacket reaching out with a bloodied, bandaged hand amidst yellow fog, with the title Fog-Bleeders and author Stéphane C. Roy visible.

FOG-BLEEDERS
A lone traveler walks toward a ruined city skyline under a cloudy sky, with a tattered Canadian flag and a signpost listing Canadian provinces and territories.

TALES OF THE LAST DAYS VOLUME I
A dagger stands vertically in front of a glowing blue nuclear mushroom cloud, with the title The Final Quartet and author name Stéphane C. Roy visible.

THE FINAL QUARTET
A green backpack with a Canadian flag patch sits on a metal grate in a desolate, post-apocalyptic urban setting.

A MARI USQUE AD MARE COMPILATION VI
A worn backpack with a Canadian flag patch sits on a wooden surface in front of a silhouetted figure in a hazy, yellow-lit post-apocalyptic landscape.

A MARI USQUE AD MARE COMPILATION III
A worn backpack with a Canadian flag patch sits in a ruined, post-apocalyptic landscape with a mushroom cloud in the background and a Mile 0 Alaska Highway sign.

A MARI USQUE AD MARE COMPILATION II
A worn canvas backpack with a Canadian flag patch sits on a rocky beach in front of a desolate, ruined coastal village.

A MARI USQUE AD MARE CYCLE I COMPILATION
Book cover for The Last Protocol by Stéphane C. Roy, featuring a large missile inside a dimly lit, smoky industrial chamber.

LAST PROTOCOL
A man and woman stand face-to-face in a ruined city with a mushroom cloud rising in the background, under the title Mile Zero.

MILE ZERO
A lone figure stands on the deck of a sailing ship at sunset, with a modified Canadian flag featuring a heart symbol flying above.

THE MAID
Book cover for Cold Storage by Stéphane C. Roy, featuring a snowy, deserted street under a vibrant purple aurora borealis.

COLD STORAGE
Book cover for The Front, featuring giant insects swarming over a post-apocalyptic cityscape with a bridge and smoke-filled sky.

THE FRONT
Book cover for The Last Islands by Stéphane C. Roy, featuring a dark, misty coastal village scene.

THE LAST ISLANDS
A woman with long hair carrying a shotgun stands before a tall concrete wall topped with barbed wire and a guard tower in a post-apocalyptic setting.

DEATH ROW
A book cover featuring a large mushroom cloud behind a dark cross, with the title Warriors of the Last Days and The Tetralogy written in bold yellow text.

TETRALOGY BUNDLE
Two people stand before a campfire in a dark, post-apocalyptic landscape with a glowing, damaged stadium in the background.

THE SPARK
A dystopian book cover showing three people looking toward a post-apocalyptic industrial facility in a snowy landscape, with towering spiky creatures in the background.

DAY OF THE CHRYSALIDS
A person in a gas mask and heavy winter gear stands in a snowy landscape holding a large, mechanical scythe-like weapon.

IRON SHEPHERDS
A person with a backpack walks down a cracked, desolate road toward a distant wind turbine under a hazy sky, as depicted on the cover of the novel The Drift.

THE DRIFT
THE EXODUS: A person with a backpack stands on a cliff edge overlooking a burning settlement in a deep canyon, representing the cover art for the novel The Exodus.

THE EXODUS
A person carrying a spear stands in a ruined, post-apocalyptic landscape before a large, vine-covered stadium.

THE REFUSAL

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COBALT

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TORONTO SEWER MONSTER

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THE NEWLYWEDS

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HEADING WEST

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THE SUB

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OSMIUM

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A MARI USQUE AD MARE COMPILATION IV

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TALES OF THE LAST DAYS VOLUME I

TALES OF THE LAST DAYS VOLUME I

THE FINAL QUARTET

THE FINAL QUARTET

LAST PROTOCOL

LAST PROTOCOL

A dystopian novel series set in post-nuclear Canada

ABOUT THE AUTHOR

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

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