A dystopian novel series set in post-nuclear Canada
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HAIDA GWAII

HAIDA GWAII
HAIDA GWAII

HAIDA GWAII

by: STÉPHANE C. ROY

When cedar in his shed begins to map a face of its own, an expert carver with more reverence than certainty must reconcile craft, tradition, and a spreading forest intelligence before the waiting pod and the island itself force a reckoning.

Publish Date:
1 Jul, 26
Categories:
Tags:
Author:
Genres:
Series:
Languages:
  • ENGLISH
Publisher:
Countries:
  • CANADA
ISBN 13:
9781927431504
ASIN:
N/A
Pages:
25 pages
Dimension:
N/A
Weight:
N/A
File size(e-book):
1MB
Rating:
★★★★★★★★★★
Book Cover:
N/A
Regular Price:
$0.99
Book Availability:
available
Pre Order Availability:
no
Age Group:
16+
Book Reading Time:
0-1 HOUR

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Description:

James has spent thirty years carving cedar on Haida Gwaii. He knows every scent, every grain line, every hidden flaw a tree can carry. So when a piece of cedar begins to grow a pattern that shouldn’t exist, he notices.

At first it looks like a defect buried deep in the wood. Then he finds the same structure in the roots of an ancient cedar — the same geometry spreading through the forest floor. And offshore, the local orca community begins gathering in numbers no one can explain.

James has a ceremonial transformation mask to finish. A family is waiting. The deadline is real. But beneath the surface of the cedar, something is building. Something that may already know how to speak.

Set among the old-growth forests and coastal waters of Haida Gwaii, and within the Warriors of the Last Days universe, this is a short story about a carver who goes looking for a flaw and finds something else entirely.

Reader's Review:

The cedar grain dividing into an organized branching pattern with nodes that read "more like a circuit than a root," the inner face already forming a face before James cuts it ("the wood had a face before I touched it"), his decision to carve the ancestor face over the network's face rather than fight it, and the closing pivot from "this is what we protect" to "the cedar bore its own story", but the journal format wins on texture and loses on arc (five sections accumulate detail but the emotional turn is all in the last few lines), the Orca-counting is haunting but only loosely integrated into the plot, and the Light itself stays an abstraction that James observes but the scene never makes you feel.

Author Details:

STÉPHANE C. ROY

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

More books by STÉPHANE C. ROY:

Book cover for Cursed by Stéphane C. Roy, featuring an aerial view of a desolate, industrial island site surrounded by water under a dark, cloudy sky.

CURSED
The book cover for Pechblende, featuring a close-up of a vibrant, crystalline mineral specimen against a black background.

PECHBLENDE
Book cover for Warriors of the Last Days: Quadriped featuring a pale, gaunt, four-legged creature in a dark forest.

QUADRIPED
Three people smiling and holding film equipment in a post-apocalyptic setting with a ruined building and forest in the background.

THE MOVIE
A dark, creature-like figure with glowing red eyes and fur crouches in a brick sewer tunnel, holding a rat.

TORONTO SEWER MONSTER
The book cover for Molybdenum, part of the Warriors of the Last Days series by Stéphane C. Roy, featuring a large, metallic crystalline structure against a black background.

MOLYBDENUM
A dark, atmospheric illustration of a sinister, elderly figure with long, claw-like fingers reaching forward, titled Warriors of the Last Days: The Old Hag.

THE OLD HAG
A woman with blonde hair and a rugged jacket stands at a wooden bar in a dimly lit, post-apocalyptic setting, with other people blurred in the background.

COLE’S TYPE
A man and a woman in rugged, post-apocalyptic winter gear stand together in a rocky, dimly lit landscape, holding hands while carrying weapons.

THE NEWLYWEDS
A man with a beard and intense expression runs toward the viewer on a metal walkway in an industrial setting, holding a long metal pipe.

GOING POSTAL
A man in a leather jacket and sunglasses stands inside the operator cabin of a modern train moving through a ruined, post-apocalyptic city.

COLE’S TRAIN
A man in a leather jacket and sunglasses sits in a vehicle, talking on a vintage radio handset while a fire burns in the background.

COLE’S CALL
A wooden sailing ship docked at a pier with crates marked Caution Toxic, under the title Warriors of the Last Days and The Heartbreak.

THE HEARTBREAK
A man with graying hair and sunglasses sits in a dim warehouse, wearing a leather jacket and gloves while holding a small metallic object.

COLE’S WAY
A white raven with red eyes stands on a rocky, desolate landscape, featured on the book cover for Warriors of the Last Days: White Raven by Stéphane C. Roy.

WHITE RAVEN
A woman in rugged, post-apocalyptic attire stands in a dark, industrial setting holding a spear, with the title text Warriors of the Last Days: The Stone visible above her.

THE STONE
A man in a brown coat kneels before a glowing blue energy sphere against a rocky, snow-covered cliffside.

DEFROCKED
A woman in a dark, rugged environment reaches toward a glowing turquoise energy field above her, with the text Warriors of the Last Days, Sandrine, and Stéphane C. Roy visible.

SANDRINE
A man and a woman in winter gear stand before a massive, toothy, ice-covered creature in a snowy landscape, with the title Honeymoon: Until Death displayed prominently.

THE HONEYMOON
A woman wearing a traditional fur-trimmed parka stands in a snowy, icy landscape, featured on the cover of the book The Stepmother by Stéphane C. Roy.

THE STEPMOTHER
A woman in a fur coat stands in a snowy landscape with the title The Mother and author name Stéphane C. Roy displayed on the cover.

THE MOTHER
A dark, dramatic book cover featuring a large, menacing kraken with glowing yellow eyes emerging from deep, murky water.

THE KRAKEN
A group of people in tactical gear and life vests stand on a rusted industrial platform at sea, with a small boat visible in the distance.

THE BUCCANEERS
A makeshift raft constructed from wooden pallets and plastic bottles floats on the ocean under a cloudy sky, featuring the title The Anchor by Stéphane C. Roy.

THE ANCHOR
A man dressed in ornate robes covered in seashells and coral stands on a metal platform over the ocean, holding a staff topped with a large pearl.

THE HOLY SEA
A woman with dark hair stands on a metal walkway in a post-apocalyptic setting, wearing tattered, scavenged clothing.

THE SIREN
A group of people in a post-apocalyptic setting, with women in white dresses standing behind a man and woman in rugged outdoor gear.

POST-MARKED: MAIL ORDER BRIDES
Book cover for Warriors of the Last Days: Post-Mortem by Stéphane C. Roy, featuring two gravestones in a cemetery adorned with large stacks of letters and colorful floral arrangements.

POST-MORTEM
A man in handcuffs and leg shackles is escorted by two uniformed officers in a prison corridor, with the title Cole's Time displayed prominently.

COLE’S TIME
A man with graying hair and sunglasses sits in a dimly lit, industrial-style room, showing a bandaged and stitched shoulder wound.

COLE’S SHOULDER
A man wearing sunglasses crawls through a dark, wet, brick-lined tunnel in this book cover for Cole's Run.

COLE’S RUN
A group of men in post-apocalyptic gear and chainmail hold wooden shields and weapons in a desolate, rocky landscape.

SHIELDS OF THE NORTH
Book cover for Warriors of the Last Days: Victoria Newfoundland by Stéphane C. Roy, featuring a post-apocalyptic coastal town with dilapidated houses and rusted boats.

VICTORIA, NEWFOUNDLAND
Book cover for Warriors of the Last Days: Victoria Island, showing a snowy, post-apocalyptic settlement under a dark sky with aurora borealis.

VICTORIA ISLAND
A dystopian depiction of Victoria, British Columbia, featuring overgrown historic buildings and rusted ships in the harbor under a cloudy sky.

VICTORIA, BRITISH COLUMBIA
Book cover art for Post Dated by Stéphane C. Roy, featuring a man and woman in rugged attire above a circle of hooded figures surrounding a glowing technological device.

POST-DATED
Book cover for The Dive by Stéphane C. Roy, featuring a submerged submarine suspended by chains in dark water.

THE DIVE
A sailing ship with a Canadian-style flag featuring a heart emblem navigates a massive, turbulent ocean wave on the cover of the book The Storm by Stéphane C. Roy.

THE STORM
Book cover for The Target, featuring an aerial view of a frozen, circular landscape overlaid with a black target reticle marked with distance increments from 500 meters to 10 kilometers.

THE TARGET
Book cover for The Draining by Stéphane C. Roy, featuring a microscopic view of interconnected, pale, spiky organic structures against a dark background.

THE DRAINING
Two people stand on a dark, misty beach looking toward a steep, reddish cliff under a stormy sky, as depicted on the cover of the book The Red Hills.

THE RED HILLS
Book cover art for The Shield featuring a desolate, post-apocalyptic landscape with glowing purple fissures in the rocky ground under a sunset sky.

THE SHIELD
Book cover for Warriors of the Last Days: Alert, featuring a desolate, post-apocalyptic coastal village under a dark, cloudy sky.

ALERT
The book cover for Neon Winter shows a snowy, desolate mining town at night illuminated by an eerie green glow from a mine headframe.

NEON WINTER
A large, scarred bull with a long, curved tail stands on a forest path in a misty, post-apocalyptic setting, featured on a book cover titled The Long-Tailed Beast.

THE LONG-TAILED BEAST
A woman with dark hair wearing a leather jacket and a key necklace stands in a post-apocalyptic setting, featured on the book cover for Cole's Girl by Stéphane C. Roy.

COLE’S GIRL
A man in a leather jacket stands in a pond holding a gold nugget, with a giant toad looming behind him in a post-apocalyptic landscape.

COLE’S POND
Book cover for Warriors of the Last Days: Cole's Fear by Stéphane C. Roy, featuring a large snake rising from a pit filled with many smaller snakes.

COLE’S FEAR
A person driving a dog sled through a snowy landscape with a passenger, featured on the book cover for Warriors of the Last Days: The Ride.

THE RIDE
A woman in a blue diner uniform and white apron holds a fresh pie inside a rustic log cabin restaurant. Text at the top reads 'Warriors of the Last Days' and 'Pie in the Sky'.

PIE IN THE SKY
Cover art for the short story The Date, featuring a steaming cup of coffee with a swirling cream pattern on a patterned tablecloth.

THE DATE
A weathered, olive-drab military supply crate labeled 'ROT ANTIBIOTIC' and 'PROPERTY OF THE COMMONWEALTH' sitting in a snowy, post-apocalyptic landscape.

ANTIBIOTIC ITERATION
A dark, purple-toned book cover illustration showing several severed, textured toes standing upright on a wooden floor in front of a bed.

NIGHT OF THE LIVING TOES
A person with a backpack stands on a snowy ridge overlooking a fortified, walled city in a post-apocalyptic winter landscape.

THE WALLED CITY
A person with a backpack walks away through a snow-covered forest path, as seen on the book cover for Warriors of the Last Days: The Trek.

THE TREK
Book cover art for Discolouration by Stéphane C. Roy, featuring a yellow-tinted, hazy cityscape with a prominent church.

DISCOLOURATION
Book cover for The Network by Stéphane C. Roy, featuring a glowing purple neural network structure intertwined with dark, ruined debris against a black background.

THE NETWORK
The Ogopogo monster rises from dark, post-apocalyptic waters under a smoky, fiery sky, barren trees in foreground.

OGOPOGO/N’HA-A-ITK
A white bear stands at the base of a massive, moss-covered tree in a misty forest, with the title MOKSGM'OL and author name Stéphane C. Roy displayed above and below.

MOKSGM’OL
Book cover for Sophism, featuring a person with a distressed expression reaching toward the viewer against a rocky, snow-dusted background.

SOPHISM
A person with long reddish hair walks barefoot along a desolate, debris-strewn beach toward a distant lighthouse under a dark, moody sky.

THE ORPHAN
A woman dressed in a vintage nurse's uniform holds a syringe in a ward filled with patients lying in beds.

THE NURSE
Book cover art for The Bridge, featuring a ruined bridge over water at sunset in a post-apocalyptic landscape.

THE BRIDGE
Cover for the novel RED, part of the Warriors of the Last Days series. A red-haired person stands on a beach at sunset.

RED
Three figures in rugged, post-apocalyptic gear stand by a frozen river looking toward a ruined gothic-style building on a hill.

THE HILL
Book cover art for The Fleshing featuring two hooded figures in a rocky wasteland confronting a giant ant-like creature.

THE FLESHING
Book cover for The Dam Builders featuring a beaver on a dam made of debris with a road sign pointing to Montreal in a post-apocalyptic landscape.

THE DAM BUILDERS
A wooden sailing ship moored in a harbor at sunset, with a small lighthouse and colorful sheds visible on the shore.

VICTORIA-BY-THE-SEA
Book cover for Warriors of the Last Days: The Spud by Stéphane C. Roy, featuring a close-up of a textured, weathered potato against a dark background.

THE SPUD
Book cover for The Famine, featuring a lone figure walking through a desolate, barren farm field toward a dilapidated house and barn under a stormy sky.

THE FAMINE
Book cover art for The Qalupalik, featuring a monstrous, scaled creature swimming beneath icy water.

THE QALUPALIK
A woman with dark hair and blue eyes wears an ornate, historical-style red and gold dress while holding a small dagger and a glass in a rustic room.

THE KINGZ DAUGHTERS
Cover art for the short story Tired, featuring a desolate, icy road stretching toward a sunset in a post-nuclear landscape.

TIRED
A dystopian book cover featuring a bleak, concrete prison tower at Ste-Anne-des-Plaines under a dark, cloudy sky with abandoned cars in the foreground.

SAINTE-ANNE
Cover art for the short story Silence, featuring a damaged communication tower in a post-apocalyptic city under a dark, stormy sky.

THE SILENCE
A giant snail crawls across a muddy, rocky landscape with tall, weathered rock formations in the background under a cloudy sky.

THE BORE
A lone figure in rugged winter gear stands on a snowy cliff overlooking a vast, icy river valley, holding a large axe.

ULRIC THE GREAT
A person with face paint wearing traditional-style fringed clothing stands on a rocky, snowy coastline looking toward a massive tornado over the ocean.

CRITICAL WEATHER REPORT
A person in protective gear and a hard hat shines a flashlight on a glowing, translucent pink mass inside a dark, wet sewer pipe.

THE SEWER
A rugged survivor in a weathered hockey jersey stands in a snowy, post-apocalyptic landscape holding a spiked mace.

THE CARRIONS
A woman in a green shirt pours a beer at a rustic wooden bar in a scene titled Warriors of the Last Days: Job Hunting.

JOB HUNTING
A child in a pink coat stands in a cornfield facing a giant ear of corn against a backdrop of a post-apocalyptic city.

CORNY
A large, bearded man with a stern expression sits on a dark, mechanical throne in a post-apocalyptic setting.

THE APOTHECARY
A young woman with intense green eyes wearing a heavy winter parka in a snowy, post-apocalyptic forest.

SOPH
A dystopian book cover titled Dead Water featuring a harbor scene with armed boats below a castle-like structure flying a skull-and-crossbones flag.

DEAD WATER
A decaying whale breaches the surface of a dark ocean, featured on a book cover titled The Whale by Stéphane C. Roy.

THE WHALE
A man wearing a long brown coat and a large cross necklace stands on a wooden dock in a post-apocalyptic harbor setting.

TUCKER
Book cover for Warriors of the Last Days: Sandrine's Crossing, featuring a person standing in the doorway of a dark house on a street lined with colorful houses in a foggy, post-nuclear setting.

SANDRINE’S CROSSING
A hand in a worn glove holds a vintage photograph of a tropical beach against a backdrop of a snowy, post-apocalyptic arctic settlement.

IJIRAIT: TOO FAR NORTH
A book cover featuring a person with reptilian scales on their face looking through a small, wire-reinforced window in a heavy, riveted metal door.

SUNLESS CITY
A dark, metallic door with intricate carvings and two circular portals stands in a cavernous setting, serving as the cover art for the novel The Expected by Stéphane C. Roy.

THE EXPECTED
A stylized, clay-like figure wearing a hat and red glasses stands against a smoky, post-apocalyptic background on the cover of the book Flin Flon's Hole by Stéphane C. Roy.

FLIN FLON’S HOLE
A dorsal fin breaks the surface of a calm lake at sunset, with the book title Towing The Line by Stéphane C. Roy displayed above and below.

TOWING THE LINE
Book cover for The Sahtugot by Stéphane C. Roy, featuring a teepee and a fish-drying rack under a green aurora borealis.

THE SAHTUGOT
A stone inukshuk stands on a desolate, rocky shore under a dark, cloudy sky, with the title ADLIVUN and author name Stéphane C. Roy visible.

ADLIVUN
A weathered, painted metal sign depicting a figure in a kilt holding a shield that reads Meat Cove, set against an autumn landscape.

MEAT COVE
Cover art for the short story Trioxide, featuring a cluster of metallic, crystalline mineral formations.

TRIOXIDE
A man with a goatee and tattoos wearing a leather vest with Hells Angels patches, featured on the book cover for Cobb by Stéphane C. Roy.

COBB
A woman with long dark hair stands in a post-apocalyptic industrial wasteland holding a firearm, featured on the cover of the book Nomi: Warriors of the Last Days by Stéphane C. Roy.

NOMI
A man sits on a cot in a dark prison cell, looking out a barred window at a distant nuclear explosion.

CLARENCE
Book cover for Stillness, featuring a dark, swirling storm over a desolate landscape with a scarecrow, a ruined house, and an abandoned car.

THE STILLNESS
A dark, post-apocalyptic aerial view of a ruined city with a large insect in the foreground and the text Warriors of the Last Days, The Queen City Regina, and Stéphane C. Roy.

REGINA: QUEEN CITY
A close-up of a single ear of corn resting on cracked, dry earth in front of an industrial facility under a hazy, post-apocalyptic sky.

THE LEGACY
Cover art for the short story Special Delivery, showing a desolate snowy road viewed from inside a car with a notebook on the dashboard and a mysterious figure standing in the distance.

SPECIAL DELIVERY
Cover for the dystopian short story 'RIBS,' showing a gaunt polar bear gazing at a bright light. By Stéphane Roy.

RIBS – A TALE OF THE LAST DAYS
A person in winter gear stands in a snowy, rocky landscape at night, illuminated by a glowing lantern on the ground, with the text Warriors of the Last Days: The Hunger by Stéphane C. Roy.

THE HUNGER
Dystopian novel cover for 'The Wolf' by Stéphane Roy. Features glowing wolf eyes over a dark, cloud-filled night sky and a valley with farm lights.

THE WOLF
Two men on horseback rope a massive, spiky horned lizard in a dusty desert valley. Text 'THE VALLEY' and 'WARRIORS OF THE LAST DAYS'.

THE VALLEY
A weathered, abandoned playground slide sits in an overgrown, dark forest setting, featured on the cover of the book titled Berna.

BERNA
A rustic wooden table covered with various fresh herbs, spices, and ingredients, including a bowl of ramps, a wooden scoop of red pieces, and labeled jars of paprika, salt, and ginger.

THE SECRET
Close-up of a weathered military jacket featuring a Kentucky National Guard patch and an eagle insignia, with text reading Warriors of the Last Days and The Colonel.

THE COLONEL
A weathered demolition notice posted on an old, ivy-covered iron gate, marked with mysterious amber-colored drips.

ZONING WARS
Book cover art featuring a large iron cauldron filled with onions and herbs over a fire, set against a misty, rustic village background.

THANKSGIVING APPERCEPTION
A weathered, scarred hand writes with a fountain pen leaking amber liquid onto a document stamped rejected.

THE PEN PUSHERS
A child sleeps peacefully while being comforted by an adult's hand in this book cover illustration for The Lullaby.

THE LULLABY
A dark, post-apocalyptic scene featuring a makeshift market stall with a sign reading CARVERS, a burning barrel, and a table displaying a skull and raw meat.

THE CARVER & THE STONE
A young person with a serious expression stands in a dusty, post-apocalyptic landscape at sunset, featured on the cover of the book Heading West.

HEADING WEST
A man and a woman sit together by a river in a post-apocalyptic setting, with the book title Renee from the Sump displayed prominently.

RENÉE FROM THE SUMP
A group of pale, weathered penguins standing in a rocky, snow-covered landscape with the text Warriors of the Last Days and The Penguins by Stéphane C. Roy overlaid.

THE PENGUINS
Book cover for The Sub, featuring a dark, moody illustration of a submarine surfacing in deep water with the title and author name displayed.

THE SUB
Book cover for Warriors of the Last Days: Osmium by Stéphane C. Roy, featuring a large, crystalline, metallic structure against a dark background.

OSMIUM
A human toe submerged in a glass of amber liquid on a wooden surface, serving as cover art for the short story The Toe.

THE TOE
Book cover art for Warriors of the Last Days: Glooscap: The Awakening by Stéphane C. Roy, featuring a weathered, glowing-eyed figure emerging from darkness.

GLOOSCAP: THE AWAKENING
A woman in rugged post-apocalyptic attire stands in a snowy landscape holding a large axe, with a gas mask hanging at her side.

THE SHEPHERDESS
Book cover for Lights Out, part of the Warriors of the Last Days series, featuring a dark, post-apocalyptic cityscape.

LIGHTS OUT
Book cover for Antitheses, featuring two people facing each other against a dark, post-apocalyptic background with a glowing orb in the sky.

ANTITHESES
Book cover for Eastern Lights, featuring a glowing blue energy sphere above a dark, industrial quarry landscape and a distant city skyline.

EASTERN LIGHTS
A person with a backpack stands on a snowy cliff overlooking a large dam in a desolate, post-nuclear landscape.

THE DAM
A circular, fortified settlement built on water, featuring a central island with a small house, surrounded by a ring of makeshift structures and towers, with the title Waterland and author name visible.

WATERLAND
A man and a woman in worn, rugged clothing walk through a desolate, snow-covered street while a hand reaches out to offer them letters.

THE MAILMAN
A man in a long coat stands over a woman amidst post-apocalyptic ruins with a gothic cathedral in the background, holding a glass aloft.

COLE’S LAW
A man and a woman in heavy, snow-covered winter gear stand close together in a snowy landscape with an igloo in the background.

THE WEDDING
A courier in a post-apocalyptic setting stands before a giant, spiky wombat-like creature in a ruined community garden.

THE DELIVERY
Book cover for The Bunker by Stéphane C. Roy, featuring a dark, industrial tunnel leading to a closed door.

THE BUNKER
Book cover for The Shallow Grave showing hands exchanging Centrifuge Requisition Order documents over a forest floor with skeletal remains.

SHALLOW GRAVE
An older man in a worn apron sits at a desk with laboratory glassware in a makeshift, post-apocalyptic setting, with a box labeled SAMPLES and a biohazard symbol nearby.

THE CHEMIST
A man and a woman in tactical gear carry supplies through a post-apocalyptic landscape with a burning building in the background.

THE MISSION
A man and a woman in a forest setting confront a large, engorged tick with knives drawn.

ENGORGED
Book cover for Warriors of the Last Days: Fungi by Stéphane C. Roy, featuring a large shelf fungus growing on a charred tree trunk in a post-apocalyptic landscape.

FUNGI
A person in a small motorboat navigates through debris-filled waters toward a fleet of ships at sunset, as depicted on a dystopian novel cover.

OF MARSH AND MEN: CHIGNECTO SEA
A worn canvas backpack with a Canadian flag patch sits at the base of a tree in a forest, featuring the title Warriors of the Last Days A Mari Usque Ad Mare Cycle IV Compilation.

A MARI USQUE AD MARE COMPILATION IV
A man and a woman in rugged winter gear stand in a snowy landscape with a dog sled team, featured on the book cover for The Long Light by Stéphane C. Roy.

THE LONG LIGHT
A man in a dirty red jumpsuit leans against a large truck on a desolate, snowy road under a vibrant aurora borealis.

THE TRAIL
Four survivors stand before a rugged, Canadian-marked all-terrain vehicle in a desolate post-nuclear landscape.

COLE’S WAR
A backpack with a Canadian flag patch sits in a desert landscape near a large termite mound with giant ants, under the title text Warriors of the Last Days.

DOMINION OF DAMNATION
A technical blueprint for Project Babylon labeled with Potato Wars, featuring a diagram of a long-barreled cannon and a single potato resting on the desk.

POTATO WARS
A group of people in rugged, hooded cloaks walk away from the viewer down a cracked, snow-covered highway toward a distant horizon, passing a road sign pointing toward Toronto.

THE LONG WALK: STEEL MIGRATION
Book cover for Ice Gritters featuring a person in a hood covered in ice against a dark red background.

ICE-GRITTERS
A person is partially submerged in a thick, bubbling pink substance in front of a clock tower and a coastal city landscape.

SLIMED
A giant ear of corn looms over a desolate, post-apocalyptic cityscape with smoke rising from ruins under a dark, cloudy sky.

CORNERED
A dystopian book cover titled The Mall featuring a damaged, snow-covered building with a large W logo and dark, stormy skies.

THE MALL
A dark, gritty book cover featuring a person in a beanie and jacket reaching out with a bloodied, bandaged hand amidst yellow fog, with the title Fog-Bleeders and author Stéphane C. Roy visible.

FOG-BLEEDERS
A lone traveler walks toward a ruined city skyline under a cloudy sky, with a tattered Canadian flag and a signpost listing Canadian provinces and territories.

TALES OF THE LAST DAYS VOLUME I
A dagger stands vertically in front of a glowing blue nuclear mushroom cloud, with the title The Final Quartet and author name Stéphane C. Roy visible.

THE FINAL QUARTET
A green backpack with a Canadian flag patch sits on a metal grate in a desolate, post-apocalyptic urban setting.

A MARI USQUE AD MARE COMPILATION VI
A worn backpack with a Canadian flag patch sits on a wooden surface in front of a silhouetted figure in a hazy, yellow-lit post-apocalyptic landscape.

A MARI USQUE AD MARE COMPILATION III
A worn backpack with a Canadian flag patch sits in a ruined, post-apocalyptic landscape with a mushroom cloud in the background and a Mile 0 Alaska Highway sign.

A MARI USQUE AD MARE COMPILATION II
A worn canvas backpack with a Canadian flag patch sits on a rocky beach in front of a desolate, ruined coastal village.

A MARI USQUE AD MARE CYCLE I COMPILATION
Book cover for The Last Protocol by Stéphane C. Roy, featuring a large missile inside a dimly lit, smoky industrial chamber.

LAST PROTOCOL
A man and woman stand face-to-face in a ruined city with a mushroom cloud rising in the background, under the title Mile Zero.

MILE ZERO
A lone figure stands on the deck of a sailing ship at sunset, with a modified Canadian flag featuring a heart symbol flying above.

THE MAID
Book cover for Cold Storage by Stéphane C. Roy, featuring a snowy, deserted street under a vibrant purple aurora borealis.

COLD STORAGE
Book cover for The Front, featuring giant insects swarming over a post-apocalyptic cityscape with a bridge and smoke-filled sky.

THE FRONT
Book cover for The Last Islands by Stéphane C. Roy, featuring a dark, misty coastal village scene.

THE LAST ISLANDS
A woman with long hair carrying a shotgun stands before a tall concrete wall topped with barbed wire and a guard tower in a post-apocalyptic setting.

DEATH ROW
A book cover featuring a large mushroom cloud behind a dark cross, with the title Warriors of the Last Days and The Tetralogy written in bold yellow text.

TETRALOGY BUNDLE
Two people stand before a campfire in a dark, post-apocalyptic landscape with a glowing, damaged stadium in the background.

THE SPARK
A dystopian book cover showing three people looking toward a post-apocalyptic industrial facility in a snowy landscape, with towering spiky creatures in the background.

DAY OF THE CHRYSALIDS
A person in a gas mask and heavy winter gear stands in a snowy landscape holding a large, mechanical scythe-like weapon.

IRON SHEPHERDS
A person with a backpack walks down a cracked, desolate road toward a distant wind turbine under a hazy sky, as depicted on the cover of the novel The Drift.

THE DRIFT
THE EXODUS: A person with a backpack stands on a cliff edge overlooking a burning settlement in a deep canyon, representing the cover art for the novel The Exodus.

THE EXODUS
A person carrying a spear stands in a ruined, post-apocalyptic landscape before a large, vine-covered stadium.

THE REFUSAL

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COLE’S TYPE

COLE’S TYPE

THE NEWLYWEDS

THE NEWLYWEDS

GOING POSTAL

GOING POSTAL

COLE’S TRAIN

COLE’S TRAIN

COLE’S CALL

COLE’S CALL

THE HEARTBREAK

THE HEARTBREAK

COLE’S WAY

COLE’S WAY

THE STONE

THE STONE

DEFROCKED

DEFROCKED

POST-DATED

POST-DATED

THE DIVE

THE DIVE

THE STORM

THE STORM

THE TARGET

THE TARGET

THE DRAINING

THE DRAINING

THE RED HILLS

THE RED HILLS

THE SHIELD

THE SHIELD

THE BAY

THE BAY

THE SNAG

THE SNAG

ALERT

ALERT

NEON WINTER

NEON WINTER

THE LONG-TAILED BEAST

THE LONG-TAILED BEAST

COLE’S GIRL

COLE’S GIRL

COLE’S POND

COLE’S POND

COLE’S FEAR

COLE’S FEAR

THE RIDE

THE RIDE

PIE IN THE SKY

PIE IN THE SKY

THE DATE

THE DATE

ANTIBIOTIC ITERATION

ANTIBIOTIC ITERATION

NIGHT OF THE LIVING TOES

NIGHT OF THE LIVING TOES

THE WALLED CITY

THE WALLED CITY

THE TREK

THE TREK

DISCOLOURATION

DISCOLOURATION

THE NETWORK

THE NETWORK

OGOPOGO/N’HA-A-ITK

OGOPOGO/N’HA-A-ITK

MOKSGM’OL

MOKSGM’OL

THE NURSE

THE NURSE

THE BRIDGE

THE BRIDGE

RED

RED

THE HILL

THE HILL

THE FLESHING

THE FLESHING

THE DAM BUILDERS

THE DAM BUILDERS

VICTORIA-BY-THE-SEA

VICTORIA-BY-THE-SEA

THE SPUD

THE SPUD

THE FAMINE

THE FAMINE

THE QALUPALIK

THE QALUPALIK

THE KINGZ DAUGHTERS

THE KINGZ DAUGHTERS

TIRED

TIRED

SAINTE-ANNE

SAINTE-ANNE

THE SILENCE

THE SILENCE

THE BORE

THE BORE

ULRIC THE GREAT

ULRIC THE GREAT

CRITICAL WEATHER REPORT

CRITICAL WEATHER REPORT

THE SEWER

THE SEWER

THE CARRIONS

THE CARRIONS

JOB HUNTING

JOB HUNTING

CORNY

CORNY

THE APOTHECARY

THE APOTHECARY

SOPH

SOPH

THE WHALE

THE WHALE

TUCKER

TUCKER

SANDRINE’S CROSSING

SANDRINE’S CROSSING

IJIRAIT: TOO FAR NORTH

IJIRAIT: TOO FAR NORTH

SUNLESS CITY

SUNLESS CITY

THE EXPECTED

THE EXPECTED

FLIN FLON’S HOLE

FLIN FLON’S HOLE

TOWING THE LINE

TOWING THE LINE

THE SAHTUGOT

THE SAHTUGOT

ADLIVUN

ADLIVUN

MEAT COVE

MEAT COVE

TRIOXIDE

TRIOXIDE

COBB

COBB

NOMI

NOMI

CLARENCE

CLARENCE

THE STILLNESS

THE STILLNESS

REGINA: QUEEN CITY

REGINA: QUEEN CITY

THE LEGACY

THE LEGACY

SPECIAL DELIVERY

SPECIAL DELIVERY

RIBS – A TALE OF THE LAST DAYS

RIBS – A TALE OF THE LAST DAYS

THE HUNGER

THE HUNGER

THE WOLF

THE WOLF

THE VALLEY

THE VALLEY

BERNA

BERNA

THE SECRET

THE SECRET

THE COLONEL

THE COLONEL

ZONING WARS

ZONING WARS

THANKSGIVING APPERCEPTION

THANKSGIVING APPERCEPTION

THE PEN PUSHERS

THE PEN PUSHERS

THE LULLABY

THE LULLABY

THE CARVER & THE STONE

THE CARVER & THE STONE

HEADING WEST

HEADING WEST

RENÉE FROM THE SUMP

RENÉE FROM THE SUMP

THE PENGUINS

THE PENGUINS

THE SUB

THE SUB

OSMIUM

OSMIUM

THE TOE

THE TOE

THE DELIVERY

THE DELIVERY

THE BUNKER

THE BUNKER

SHALLOW GRAVE

SHALLOW GRAVE

THE CHEMIST

THE CHEMIST

THE MISSION

THE MISSION

ENGORGED

ENGORGED

FUNGI

FUNGI

A MARI USQUE AD MARE COMPILATION IV

A MARI USQUE AD MARE COMPILATION IV

TALES OF THE LAST DAYS VOLUME I

TALES OF THE LAST DAYS VOLUME I

THE FINAL QUARTET

THE FINAL QUARTET

LAST PROTOCOL

LAST PROTOCOL

A dystopian novel series set in post-nuclear Canada

ABOUT THE AUTHOR

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

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