The Exodus Trailer
Watch the official trailer for the dystopian systems-fiction novel THE EXODUS set in post-apocalyptic Montreal.
THE EXODUS TRAILER
This is the tale of the Sump, attacked by the Stadium, where the survivors decide to leave for a promised land set in an abandoned quarry in the heart of the City.
If The Refusal explored control within the Stadium’s engineered ritual, the Exodus expands the world outward. Leaving does not mean freedom. It means exposure. The structures that survived collapse extend beyond spectacle into infrastructure, scarcity, and invisible networks that continue to calculate long after ceremony fades.
The Exodus trailer introduces a colder landscape: open terrain replacing corridors, uncertainty replacing procession. The ecological undertone deepens. Systems no longer rely on visibility to function. Optimization travels quietly through supply chains, blind spots, and tolerated margins.
Exodus builds on the speculative foundation of the series, examining how power adapts when containment dissolves and geography widens. Movement becomes risk. Community becomes negotiation. Surveillance becomes ambient rather than theatrical.
For readers of dystopian fiction, speculative fiction, and post-apocalyptic narratives grounded in structural realism, Exodus continues the tetralogy’s exploration of institutions that refine themselves rather than collapse.
Watch the teaser and step beyond the Sump into a world where escape is measured, mapped, and never fully outside the system.
ABOUT THE BOOK
In Exodus, the world expands beyond containment. Leaving the Sump does not mean escape; it means exposure. The systems that shaped Montreal’s collapse extend outward through infrastructure, scarcity, and invisible networks that continue to calculate.
As movement replaces ritual, survival becomes negotiation. Communities form in tolerated margins. Blind spots become strategy. Yet even in open terrain, arithmetic persists.
The second installment of Warriors of the Last Days deepens its exploration of systems fiction, examining how power adapts when spectacle fades and infrastructure remains. Institutions no longer need ceremony to function. Optimization travels quietly.
Where The Refusal examined control from within, Exodus confronts the cost of stepping outside it. Geography widens. Certainty thins. Resistance must learn to move without anchors.
The series grows colder, broader, and more unstable, pushing toward consequences that will unfold across the remaining two novels.
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Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.