A dystopian novel series set in post-nuclear Canada

MONTRÉAL

M

MONTRÉAL, CITY OF THE LAST DAYS


MONTRÉAL viewed from the mountain

Warriors of the Last Days unfolds in a post-nuclear Canada, a fractured landscape where cities, highways, and forgotten infrastructure have been reshaped by a post-nuclear collapse. What remains of the country is scattered across isolated settlements, drifting communities, and territories claimed by the ruins themselves.

The series follows the slow rediscovery of this broken land, one city at a time.

Each volume explores a different corner of Canada: major urban centers, abandoned industrial zones, remote towns, and the strange new environments that emerged after the fall. Every place carries its own survivors, systems of control, and fragile attempts at rebuilding.

The journey begins in Montréal, a city transformed by water, ash, and the remnants of the old world’s machinery.

From there, the story expands outward across the country, revealing a Canada that is no longer a nation but a patchwork of territories struggling to survive the last days.


MONTRÉAL NOVELS


MONTRÉAL SHORT STORIES

Book cover for 'The Lullaby' by Stéphane Roy, featuring a sleeping child with an adult hand gently placed on her head.

March 2026

Short Story cover for Renée From The Sump. Renée, a woman with dirty blonde hair, leans on a man, both grimy, by a polluted river at sunset.

May 2026

Cover for the Heading West short story: A determined woman with a backpack, backlit by a hazy sunset. Text: WARRIORS OF THE LAST DAYS.

August 2026

Book cover for The Carver & The Stone, showing a human skull and raw meat on a table in a desolate street.

November 2026


Panoramic view of post-nuclear Montreal at sunset, with a ruined cityscape, buildings burning, and thick smoke rising.

Montréal is not a backdrop. It is the system’s proving ground.

In the post-collapse world of Warriors of the Last Days, the city has not disappeared, it has transformed. Flooded expressway trenches divide districts. Limestone quarries hum with buried magnetite veins. The Stadium rises as both sanctuary and instrument. Microclimates fracture neighborhoods into controlled zones. Waiting becomes architecture. Movement becomes policy.

This category gathers stories rooted in post-apocalyptic Montréal: from the underlayers of forgotten infrastructure to the engineered stability of the Uphills. Here, climate, governance, memory, and resistance intersect in a city that refuses to dissolve quietly.

The strength of the novels are in their world building: using real history, locations and folklore, these facts get merged into the more fantastical aspects of the story. In Warriors of the Last Days, Montréal endures.

But it no longer belongs entirely to its people.


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Book cover featuring a spotted fin emerging from calm water under a vibrant red sunset sky.
Book cover for Flin Flon's Hole showing a weathered, stone-like figure in a hat and red glasses, title Warriors of the Last Days by Stéphane Roy.

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A dystopian novel series set in post-nuclear Canada

ABOUT THE AUTHOR

Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.

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