COLD STORAGE TEASER TRAILER
WHAT IS COLD STORAGE?
Cold Storage is a Christmas novel set in Yukon 30 years after the Apocalypse. We did a teaser trailer for the novel, which deals with a particularly harrowing Christmas Eve during a strange, proton heavy, aurora borealis event that awakens deceased pioneers buried deep in permafrost for nearly two centuries.
This being Yukon, the usual rules do not apply. These zombies are craving heat, not brains. They are frozen stiff, not creaking because of rigor mortis.
A bunch of trappers will have to figure out the new rules during the longest night of the year and try to come back out on the other end unscathed.

Building a Story Through Images
Unlike a traditional movie trailer, this teaser had to sell a novel. There are no actors, no film set, no practical effects: only still images, sound design, editing, and imagination.
The goal wasn’t to summarize the plot. It was to create questions.
Who are these people?
Why is Christmas still being celebrated?
Why is the aurora purple?
Why are the dead walking?
The trailer intentionally reveals almost nothing about the story while establishing its atmosphere.

Dawson City as the Main Character
Rather than focusing immediately on monsters, the trailer begins with Dawson City itself.
Snow-covered streets…
Abandoned buildings…
A town frozen in time.
By treating Dawson almost like a living character, every later shot feels personal. When fires burn in the streets or buildings glow against the purple night, viewers already understand what is at stake.
The location does much of the storytelling before a single character appears.

A Different Kind of Zombie
One of the biggest design challenges was making the undead immediately recognizable while avoiding the clichés of modern zombie fiction.
These pioneers have spent almost two hundred years frozen inside Yukon permafrost.
Instead of rotten flesh, they are preserved.
Instead of staggering because they’re decomposing, they move awkwardly because they’re literally frozen solid.
Many shots focused on frost-covered faces, ice-crusted skin, frozen teeth, and blank white eyes. Even close-ups of a mouth emerging from blowing snow communicate the idea that winter itself has become the monster.

Purple Nights
The trailer uses two dominant colour palettes.
Daylight scenes establish the harsh reality of Yukon winters.
Night scenes shift almost entirely into deep violet tones, inspired by an intense aurora borealis event that drives the story.
The purple glow became the visual signature of Cold Storage. It washes over frozen towns, abandoned saloons, cemeteries, shattered ice, and the undead themselves.
Whenever warm light appears, (a lantern, a bonfire, Christmas lights), it remains naturally yellow.
That contrast became one of the trailer’s strongest visual motifs: impossible purple skies against the comforting colours of fire.

Fire Versus Ice
Because the creatures are drawn toward heat, fire becomes more than decoration.
Bonfires burning in the middle of deserted streets…
Lanterns glowing inside abandoned buildings…
Christmas lights still hanging from forgotten storefronts…
Every warm light is simultaneously protection and danger.
The visual language reinforces one of the novel’s central ideas without ever explaining it.

Small Details Tell Big Stories
Some of the trailer’s most effective shots are also its simplest.
A mason jar sitting alone inside an empty saloon.
Broken ice scattered across frozen ground.
An old Christmas ornament reflecting something horrifying just outside the frame.
Freshly disturbed graves beneath newly fallen snow.
None of these images explain themselves.
Instead, they invite viewers to imagine what happened just before—or what is about to happen next.

Characters Before Action
Rather than filling the trailer with action sequences, we introduced individual survivors one at a time.
A trapper setting steel traps. Another carrying oversized pruning shears. A hunter raising his shotgun.
Each portrait establishes personality before revealing almost anything about the plot. The audience meets ordinary people long before they meet monsters.

Building Atmosphere Instead of Explaining
The teaser deliberately avoids exposition.
There are no lengthy title cards explaining the apocalypse.
No narrator describing scientific phenomena. No detailed history lesson. Everything is communicated visually:
- snow-covered ghost towns
- frozen cemeteries
- Christmas decorations
- unnatural purple nights
- isolated survivors
- frozen undead
- fire cutting through darkness
Each image contributes another piece of the puzzle without completing it.
The Goal
A teaser trailer isn’t supposed to answer questions. It’s supposed to create them.
By the end of the trailer, viewers should know only a few things with certainty:
- Something impossible has happened.
- The dead have awakened.
- Yukon has become even more unforgiving than before.
- Christmas is going to be terrifying.
Everything else belongs in the novel.
© Copyright 2026 WARRIORS OF THE LAST DAYS All rights reserved


Stéphane Roy is a lifelong reader and writer with a deep love for science fiction, apocalyptic worlds, and tightly constructed mysteries. This is his first novel. He lives in the Yukon with his dog and his aquarium, where long winters, silence, and wide, sometimes glowing, skies leave plenty of room for imagining the end of the world, and what might come after it. He is also waiting, with cautious optimism, for the aliens to finally reveal themselves and straighten us all out.